Plus, if you learn the Latin system, you'll come across the tonic (do), supertonic (re), median (mi), subdominant (fa), dominant (so), submediant (la), and leading tone (ti). Oh, and Do-Re-Mi isn't always a fixed structure. There's the 'Fixed do' system, which says that no matter what key the music is in, 'do' will always be a In Hindustani (North Indian) classical music, an octave is called saptak and has seven notes called swara. These notes are sa, re, ga, ma, pa, dha, ni (similar to the Western do re mi fa so la ti). The first and fifth notes (sa and pa) have only one variant. The other five notes (re, ga, ma, dha, and ni) have two variants each. Musical notes using syllables: Do, Re, Mi, Fa, Sol, La and Ti. The names of musical notes can also be represented using syllables, as Do, Re, Mi, Fa, Sol, La and Ti. Some languages use Si instead of Ti. These musical note names match the C major scale, the one we sang before. That means that: Do is C; Re is D; Mi is E; Fa is F; Sol is G; La is ti is actually used in English when using do, re, mi, fa, sol, la, ti, do to name (and sing) the degrees of the key, regardless of their real values. It's called Movable Do. For instance in D (Ré majeur) the scale would be . do: D (ré) re: E (mi) mi: F#(fa dièse) fa: G (sol) sol: A (la) la: B (si) ti: C#(do dièse) do: D (ré)

Moda na taniec z lat 60. wraca, więc pora nadrobić zaległości. Gama solmizacyjna to podstawa każdej lekcji muzyki. Proste "Do-re-mi-fa-sol-la-si-do" śpiewał każdy z nas, mało kto jednak wie, czemu do poznawania skali dźwięków używa się właśnie tych sylab. Po odpowiedź należało się cofnąć aż do XI w.

This notation is what is called Moveable Do, meaning the word 'Do' moves to wherever the starting note of the major scale is at the time. However, there is also a notation technique called Fixed Do. With Fixed Do solfege, Do is always a C, Re is always a D, Mi = E, Fa = F, Sol = G, La = A, and Ti = B. hFvSCo.
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    • do re mi fa so la ti do in letters